Most common injuries and conditions in musicians

Germana Gómez - Técnica Alexander
22 October 2025

When art takes its toll

Playing an instrument may seem like a calm and delicate activity, but the reality is that the musician’s craft demands as much from the body as professional sport. It does not matter whether you are an orchestral musician, a conservatory student, or someone who plays as a hobby: it is very common for aches and pains related to practice to appear. Furthermore, issues such as stress or performance anxiety add to this.

Table of Contents

In fact, it is so common for pain or physical difficulties to arise while playing that a specific term is used: Playing-Related Musculoskeletal Disorder (PRMD). It refers to any pain, numbness, fatigue or loss of control that prevents the instrument from being played normally.

According to studies, around half of all musicians will suffer from this type of disorder at some point in their career. The figures vary between 32% and 87%, depending on the instrument. The most common problems are:

There are also gender differences: women suffer from more musculoskeletal disorders in general, whereas men are more likely to develop focal dystonia, especially around the age of 40.

What is worrying is that these injuries can become so severe that up to 12% of musicians are forced to give up their careers.

Focal dystonia: a silent enemy

Among all the health problems that can affect musicians, focal dystonia deserves special mention. It is a neuromuscular condition that appears when attempting to perform a highly trained movement, such as playing an instrument. The body suddenly stops responding as it should.

Symptoms include involuntary spasms, a lack of coordination, or a loss of control over the fingers, the hand, the lips or the embouchure, depending on the instrument.

Although it is a rare disease in the general population, it is surprisingly frequent among musicians:

1 in every 100 musicians suffers from it, and among orchestral musicians, it can affect as many as 1 in 10.

Those most commonly affected tend to be:
Key risk factors include:
Although much research is still needed, there is growing hope in new rehabilitation methods, such as those developed by Dr Joaquín Farias or the use of the Alexander Technique, with real cases of recovery.

Hearing also suffers: auditory problems

It is not only the hands or posture that suffer: a musician’s ears are their most delicate tool. Prolonged exposure to high-volume sounds can cause:

  • Hearing loss
  • Tinnitus (constant ringing)
  • Hyperacusis (discomfort caused by normal sounds)
  • Distortions in sound perception

It is estimated that 89% of professional musicians develop some degree of hearing loss between 3 and 6 kHz. And, of course, when your job consists of listening, this is no minor issue.

In summary

Being a musician is a deeply demanding profession. It requires precision, constant practice, and both physical and mental control. Caring for the body and studying the relationship between body, mind, and emotions should be just as important as studying repertoire or technique. For this reason, conservatories in many countries now offer subjects dedicated to physical care, providing students with techniques and tools to prevent future difficulties.

Because music is played with the hands, but it is supported by the whole body. And looking after the musician is looking after the music.

También te puede interesar
The Alexander Technique in Occupational Health and Safety

A Tool for Protecting Musculoskeletal Health at Work In recent years, musculoskeletal disorders (MSDs) have become the most frequent work-related health problem in Europe. According to the European Agency for Safety and Health at Work (EU-OSHA), more than half of all workers experience pain or discomfort related to MSDs at

(ver más)
¿Qué es la técnica alexander?
Discover the Alexander Technique

What is the Alexander Technique? The Alexander Technique is a practical method of body–mind re-education that helps restore a more natural, coordinated and balanced way of moving. It is not about “learning something new”, but rather unlearning tensions and habits that, without us realising it, interfere with our wellbeing and

(ver más)